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Tales of lost, flogged and stolen old records, republished vintage fanzine interviews and musings on contemporary arts and culture from the perspective of one man in the north of England. you might like.
Recent Posts Tagged With 'interview'
Feature: Overpaid, oversexed and over here
THE first time Charles Gettis came to the UK was as a private in the 91st Airborne Division of the US Army. His first sight of the country came through the early morning November mists covering the vast open spaces of the Greenham Common airbase near...
Interview: Amp Fiddler
JOSEPH ‘Amp’ Fiddler has a theory that conversations are the dynamic for change in our lives and I’m with him all the way. How true this is when you’re speaking over the phone, I’m not so sure. Surely you need to be clos...
Hip Replacement: Metal Box by Public Image Ltd (Virgin)
HAVING just bought the 4 Men With Beards reissue of Metal Box from Piccadilly for an eye-watering 36 quid, I’m struck by a fortuitous piece of weird symmetry when I get home from town after the usual interminable endurance test that is the number 8...
Interview: Steve Albini
ANOTHER reprint from the annals of GRUNT magazine, this time an interview with legendary guitar-botherer, microphone enthusiast and In Utero, Surfer Rosa and Pod engineer Steve Albini. After Big Black imploded at the height of their dark, angry powe...
Interview: Shaun Ryder*1
WHEN Shaun Ryder – erstwhile actor, author, newspaper columnist, Salfordian crooner, lyrical genius and a man who was banned from Channel Four for saying the fuck-word at tea time – sits you down in his living room and says that he wants to t...
Interview: Crow People
CROW PEOPLE came from some pit village near Doncaster but they seemed to play an awful lot of gigs in the ‘industrial garden town’ of Scunthorpe. I first remember coming across them at one such packed, sweaty gig in the mid-Eighties, although whe...
Interview: Bebel Gilberto
I’D LOVE to be able to pretend that bossa nova has been a big part of my life for years and years, but the fact is I didn’t really get it - or any of that easy, lounge stuff - until I heard Bebel Gilberto’s major label debut, Tanto Tempo, in 20...
Interview: Bogshed
THOUGH it’s now routinely derided by the latest crop of fat, bitter and aged pop historians – that’s my gig, thank you very much – the NME’s C86 cassette was an essential purchase for those of us not in thrall to the emerging sound of h...
Interview: Andrew Weatherall
HE MIGHT describe himself as the “classic underachiever”, but Andrew Weatherall doesn’t seem to have done so badly. A music and fashion nut from Windsor with an unhealthy obsession for the minutiae of the rituals and mores of a string of differ...
Interview: Chuck D
I DID this interview with Chuck D in August 1999, ahead of the release of Public Enemy’s seventh album, There’s A Poison Goin’ On. Can you tell that I didn’t really know what I was talking about when it came to all the downloa...
Interview: Simon Pegg and Nick Frost
AS PROMISED, here’s an interview with Simon Pegg and Nick Frost which I wrote up for The Big Issue in the North in early 2004, just ahead of the release of their rom-zom-com Shaun Of The Dead. * * * IT’S all very well for the Americans. T...
Interview: Sonic Youth
THIS is a reprint of an interview with Sonic Youth I did for Airstrip*6 fanzine in mid 1987. Note fake Americanisms and early cut-and-paste plagiarism. * * * “BOLLOCKS!” Thurston Moore, one quarter of this week’s ‘Best Band in the World Eve...
Interview: Brian Eno
PRODUCER, artist, music theorist, writer and anagram fan Brian Peter George St John le Baptiste de la Salle Eno first came to prominence in the early Seventies as a member of Roxy Music. Using an early VCS3 synth and a Revox reel-to-reel, Eno warped ...
Interview: Flux of Pink Indians*2
UNLIKE Spinal Tap, Colin Latter, Kevin Hunter and Martin Wilson didn’t have any unexpected chart success in Japan to tempt them into reforming Flux of Pink Indians. But they did have Steve Ignorant. Although there had been many lucrative offers to ...
